Humanities, Social Sciences and Law
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DOI: 10.17160/josha.13.2.1138
Imagens que Libertam, Gaiolas que Acusam: o Filme Rio e a Arte como Resistência ao Tráfico de Animais – Images that Liberate, Cages that Accuse: The Film Rio and Art as Resistance to Animal Trafficking
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Ana Clara Solon Rufino, Walquíria Marcelina de Almeida, Rosângela Araújo Darwich
University of Amazonia
This article examines the film Rio (2011), directed by Carlos Saldanha, as an expression of art with an activist and ecological character, focusing on the problem of trafficking in blue…