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Humanities, Social Sciences and Law
Portuguese
Reflection on Nayara Jinknss’s Perspective on Ver-o-Peso
Ana Clara Solon Rufino, Rosângela Araújo Darwich
University of Amazonia
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Abstract
This work aimed to reflect on sociocultural aspects that are present in the photographic records of Nayara Jinknss. Five photographs of the Ver-o-Peso Market were chosen, in which visual narratives are loaded with meanings that reveal both the history and beauty of the city, as well as the reality of many inhabitants of Belém, who are in a situation of great social vulnerability. For the analysis of Jinknss' photographs, we sought to follow a dialogue with the authors Barthes (1984), Joly (2007), Viviane and Noronha (2021) from the areas of image analysis, photography and decoloniality, with a qualitative-descriptive and exploratory research. We conclude that the analyzed photographs go beyond the boundaries of aesthetic records, constituting a visual narrative surrounded by signs that constitute an alternative of resistance in the face of serious social problems.
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Article Information
Title
Reflection on Nayara Jinknss’s Perspective on Ver-o-Peso
Type
Article
Published in
Journal
15. July 2024
DOI Identifier
10.17160/josha.11.4.979
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Language
Portuguese
Journal
Vol 11 Issue 4
Categories
Humanities, Social Sciences and Law, News and Views, Visual Arts, Architecture and Design
Affiliations
1
University of Amazonia
This article is open access and distributed under the terms of the Creative Commons Attribution 4.0 International License.
Cite this work
Ana Clara Solon Rufino et al. (2024). "Reflection on Nayara Jinknss’s Perspective on Ver-o-Peso". JOSHA Journal. DOI: 10.17160/josha.11.4.979.